This is Hook-Tail Jack. A bird surrounded by folklore and myth.
He was created for the HeART of Ashgate, an outdoor art exhibition with the proceeds going directly to Ashgate Hospice. A brand new event to their calendar. Over 3 days, 7th to the 9th of August. There was live music, food & drink, independent art stalls plus lots going on over the weekend.
Hook-Tail Jack was available in the silent auction, with the winner also receiving the story/folklore tale to go along with him plus a little extra that will be below for your reading pleasure.
A numerous amount of components went into this dark and mysterious bird. His central body, the core of this design is an old hand winch. In his belly you can see the coil of wire that would have originally come out of where his head is and the other end would have come out of his rear end. At each end there was a hook. This would have been similar to the image below.
The hooks at either end were removed and put to one side. I used these the fill out the tail on either side. If you haven't worked out his name's origin, then here you go!
The handle used to pump the winch was cut off with my trusty angle grinder as this lent itself to the wider part which became the top of his legs. To extend his legs I used a single ring spanner that was cut in half, each half becoming a lower leg. At the end of his legs was a feature that a lot of people liked. These were his feet. I made these from some small black bolts, bent in a vice with a persuader(or a hammer to most). I then carefully ground the claws to a soft point with a small wheel grinder.
One of his striking features and is on many birds is that of his beak. Slotted into where one of the original hooks was, I decided to use a pair of callipers. As you can see in the image on the left, I kept the part on that you would use to open and close them. It would have been easy to remove but I love the fact you can still see the tool and all the pieces of it. It adds some visual interest and also the beak still opened and closed. Interactive and very cool looking. Behind the beak are the eyes, these are ball bearings that sit snugly into some nuts.
Moving to the side of Hook-Tail Jack, I have tried to keep the flowing shape of a bird as they look very streamlined even when not in flight. The outer wings are made from a pair of bicycle spanners, these have a lovely swoop to them.
From this side profile you can just see where his breast is that there is a straight length of metal that is a handle from some form of spanner. As it is open-ended and does not attach at both ends, you can twang it with a finger. The sound that this makes sounds like a rusty croaky crow call. This is one of the times that something completely unintended happened and just by chance works brilliantly, furthermore, probably could not be replicated if I tried. It was meant to be.
Moving around to the tail area, there are some interesting features. The rebar wings which wrap around the body meet in the middle, I individually forged 6 pieces. I flattened half the length of each piece, then welded 3 of each together. At this stage they were 3 flat pieces. After offering them up to the side of the bird I made a rough mark of where these were required to be folded. They were then heated back up in the forge until they were glowing red, quickly dropped into a vice and beaten into shape to form the cocooning shape of the wings.
Now for one of my favourite items. The tail feather, this is a cast iron plaque that reads "SHANKS NEW BRITISHER, ARBROATH & LONDON". This will have been from a push lawnmower dating to around the 1940s. I got hold of this at a local farm that was having a clear out and feeds into the folktale story that you can read at the bottom of this page. The shape is perfect and makes it a cool design element.
To either side of the plaque are the 2 original hooks from the winch making up the name........ Hook-Tail Jack
Legend has it that one late summer dusk a blacksmith was racing against time. The wealthy squire’s estate would host the great show the coming morning, and the squire’s prize horse must be shod. The blacksmith’s forge rang into the fading light accompanying sweat and sparks. He fitted one shoe, then another, then a third. The fourth? Hand empty, but where is it?
Using the dim light of the forge he searched the long grass where he was hoping to feel the curved shape of a freshly forged boot. Hour after hour he felt the ground of the field, time escaping, the panic growing. At last, exhausted and hopeless, he left his anvil and plodded back to his little shack a few miles away, imagining the squire’s wrath and the shame of failing to get the prize horse show ready.
As dawn twinkled, he returned, heart heavy and feet dragging. The horse stood proud. Beneath the dim blue sky, the squire already saddled and poised, the blacksmith thought he wouldn't have been ready yet. He looked at the horse’s hooves, surely not, three of the horse’s shoes were old and rusty, but what is that? A fourth flashed like a new coin in the morning light on the front hoof. Beside that shining shoe, laid in the soft grass was a weathered metal feather.
The squire voiced” why are you here, you finished the job last night", the blacksmith "oh, I have come for my anvil, I will be gone before the show don't you worry". The squire whispers "listen, I don't normally do this, but you shall come to the morning banquet for doing such exemplary work" he said, as if the work had been done by the blacksmith’s own hand. The blacksmith bent down and picked up the metal feather.
From the fence-top, over the squire’s shoulder, came a croaky call and the clatter of metal that swooped into the treeline. The blacksmith watched it go and felt, for the first time, that the world held a stranger kind of justice. "Hook-tail Jack, he be nothing but fable?" The blacksmith wondered. Maybe not, as his slid the metal feather into his top pocket out of sight of the squire.
They say Hook-Tail Jack soars over Derbyshire and looks for lost items and tools. He returns them to their rightful place and owner for those he deems to be good. For those he deems not, he rebuilds and forges those pieces into his breast or wing from his ever-rusting body so he may continue his purpose of protecting good and consuming evil. His body changes with every scrap he takes, and so the stories of his deeds. The blacksmith kept the feather as proof so with this, it is over to you to keep the story alive.
Representing the balance of good and evil, dark and light, air and earth, and most Importantly........ lost and found.